Collaborations with Jenny Hval

Iris Silver Mist (2024-2025)

Screenshot from NRK-scenen, DOP: Sølve Sæther

Music by Jenny Hval


Live concerts in Europe & UK 2024-2025

Live performance at NRK-scenen


Music performed by

Jenny Hval, Håvard Volden

and Jenny Berger Myhre

Ghost: Orfee Schuijt

Commisioned by Henie Onstad Art Center

Premiere: 10. February 2024


Jenny Hval

Music, lyrics, text, vocals, guitar, performance


Jenny Berger Myhre

Video, scenography, synths, backing vocals, performance


Håvard Volden

Producer, synths, electronics, guitar, performance


Linn Nystadnes

Sound tech, backing vocals, voice, guitar, performance


Nemanja Cadjo

Light design


Charlie Selvig

Costume design (Livid)


Henie Gamborg

Scents


I want to be a machine is an interdisciplinary music performance with new music written by Jenny Hval, performed by Hval, Jenny Berger Myhre, Håvard Volden and Linn Nystadnes. 


It is also an essay, written on stage, with words, images, acoustic and electronic instruments and non-instruments. This text is about what it means to be on stage.


As a young art student, Hval was introduced to the play Die Hamletmaschine (1977) by the German playwright and poet Heiner Müller. This play creates a modern, post-dramatic machine out of Shakespeare's famous Hamlet, but for Hval it was more than that. The characters resembled what she hoped pop musicians could be: broken pieces of fallen greatness, heroic tales and the human experience, put back together into something resembling people. Voices that can tell other, stranger and more absurd stories.

I want to be a machine asks what kind of stories the artist can tell in a time where music, and perhaps art in general, has lost almost all value as a physical, corporeal and philosophical experience.


Review in Klasskampen (NO)

I want to be a machine traveled to:


06. April 24 - Rewire festival, Den Haag (NL)

10.-13. April 24 - The Pit, Barbican, London (UK)

20. April 24 - Donaufestival, Krems (AT)

27. August 24 - Theater Spektakel, Zürich (CH)

16. November 24 - Alternativa festival, Prague (CZ)

I want to be a machine (2024)

Photographed by Pieter Kers at Rewire festival

Jenny Hval: Classic Objects (2022)

Photographed by Vera Marmelo at Culturgest, Lisbon, 23. November 2022:

For Jenny Hval

live shows


Live visuals created for the tour of the Classic Objects album in 2022-2023, performed throughout Europe, UK and US. 


The visuals were 3D videos made of photogrammetry models, animated in Blender. They were played back live on stage while performing the music. 


Many of the models were made of Annie Bielski's artworks, created as dioramas, becoming scenography through the videos.

Some were of Jenny.

Some, like the video to the left, where animations of real-life places. This was made for the song "Buffy", with photogrammetry from a Lisbon cemetary. Some mixed all three into a blend of art-world-scenes.


The Classic Objects band:

Jenny Hval (vocals)

Håvard Volden (bass guitar)

Kyrre Laastad (drums)

Johan Lindvall (keys)

Daniel Meyer Grønvold (guitar)

Jenny Berger Myhre (backing voals, percussion, synth and video)

The Practice of Love (2019-2020)

Commisioned for Ultima Festival & Blackbox Teater

Premiere: 20. September 2019


Music, lyrics, text, direction: Jenny Hval


Video & visuals: Jenny Berger Myhre


Choreography: Orfee Schuijt


Producer, sound design: Håvard Volden


"The Practice of Love" is an interdisciplinary piece created by Jenny Hval in close collaboration with Håvard Volden, Jenny Berger Myhre, and Orfee Schuijt, as well as Vivian Wang, Espen Reinertsen and Natali Abrahamsen Garner. It is also Jenny Hval's 5th studio album.


The piece came to be in a collaborative and fluid workflow between the ensemble. We all got to dive into Jenny's world, associating, relating, and creating a Practice of Love together. The piece premiered at Ultima Festival of Contemporary Music in Oslo, september 2019.


The piece investigates the connection between life and art in a specific way – an umbilical magic, which brings together the possibility of creating art, creating life, and relating to other people, looking for empathy and a common language through speaking, singing, writing together. It also looks at the relationship between voice / presence / life and written word / absence / death: The voice comes from a living body, it is how we first relate to other humans, hearing our mother’s voice and responding to it … Whereas the dead body can no longer say “I”, and the written words are the remains that are chiseled into our tombstones. Is being drawn to words a death drive?

The Practice of Love travelled to:


2019

29.sept.19 - Milton Court, The Barbican, London

16.oct.19 - Künstlerhaus Mousonturm, Frankfurt

30.oct.19 - Centre Pompidou, Paris

09.nov.19 - Le Guess Who?, Utrecht

17.nov.19 - Huddersfield Contemporary Music Festival

23.nov.19 - Ars Cameralis Festival, Katowice

11.dec.19 - Ask Helmut, Kampnagel, Hamburg

13.dec.19 - nyMusikk, RIMI IMIR, Stavanger


2020

15.feb.20 - HAU Hebbel am Ufer, Berlin

16.feb.20 - HAU Hebbel am Ufer, Berlin

17.feb.20 - HAU Hebbel am Ufer, Berlin

19.feb.20 - STUK, Leuven

20.feb.20 - STUK, Leuven